Cinematic films and photography for couples and travelers in Korea. Everything below is about how they are made, and by whom.
Why us, and not another good studio
Advertising and music photography. Short films and features. Broadcast production. We came out of production and we still work like it.
We live here. We know which town is which, what it is known for, and what it looks like in the third week of October.
All three of us have worked in countries that were not ours. One of us is Filipino. We know what your couple has watched, and what they came here hoping to feel.
Take Andong. No Filipino tourist has heard of it. It is the home of the seonbi scholars and the place Mr. Sunshine was filmed. We shot Kristel Fulgar's film there.
A Manila team cannot choose Andong, because they do not know it exists. A Seoul studio can name it and still not know why it would land with a Filipino audience. Choosing it needs all three at once.
Where we shoot, and what it means
We know where those scenes were shot, what season they were shot in, and what they look like now. Small frame is the drama. Large frame is our work in the same place.
We also cover Jumunjin in Gangneung, where the Goblin breakwater and the BTS Spring Day bus stop are about ten minutes apart by car. Busan, Gyeongju and Jeonju are a day's drive.
Most coverage of Korea uses the same three postcards. We can put a couple somewhere your readers have not seen yet.
Who is holding the camera
Stills and direction. Advertising and music photography. Worked in the Philippines.
Planning and the shoot day. Broadcast production. Came out of the Philippine industry, works in Korea.
Camera and edit. Directs short films and features. Shoots brand films. Worked in Thailand.
English, Korean and Tagalog. The people directing your couple speak their language. Nothing goes through an interpreter.
How we build a film
We take the couple's story apart before we decide anything. What the film is actually about is rarely the thing they say first. Once we know what it is, we choose the form that carries it.
Some films run on dialogue. Some are montage cut to music. Some are built in chapters with a treatment that reads like a script. The judgment about which form fits which couple is the part a professional is paid for, and the part a template cannot do.
A conversation past an hour, kept on file. The analysis starts here.
The reading becomes a document. Nothing is shot that is not on it.
They read the plan before the shoot day and correct us while there is time.
Each scene has its place and its hour.
Ask any studio to show you their treatment.
Track record
Kristel Fulgar is a Filipino actress and host. The shoot ran across the Philippine national press. Screenshots below are the published articles.
Also in Inquirer Entertainment, “Kristel Fulgar, Korean fiancé charm in prenup shoot”, by Anne Pasajol, 22 March 2025.
All films at yourstorykorea.com/stories
What makes it repeatable
“They knew every corner and hidden angle of each spot.” · From photography guests, after sessions in Seoul
For editors and directories
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