How we film
A Korean and Filipino team, filming in Korea.
Every subtitle is a line you actually said.
iyagi
We make a K‑drama out of the days you spend in Korea.
A good melodrama can sit with an ordinary afternoon and make it matter. We treat your trip that way, one scene at a time.
Stills and direction. A Korean photographer who built his career shooting in the Philippines. On the day he works beside the film camera rather than after it, so your photographs and your film come out of the same light. Most of the direction you'll hear comes from him, and it stays plain: where to stand, when to walk, what to ignore.
Planning and on-set producing. A Filipina producer who came up in Philippine broadcasting and now runs our days in Korea. She turns the treatment into a working day: what gets filmed where, and how much time the light actually gives us. On location she keeps everything moving without letting you feel managed.
Shooting and edit. A Korean filmmaker whose working life ran through Thailand before Korea. He shoots the film and cuts it himself, so the person framing you on the day is the same person who later chooses which of your words become the subtitles. Nothing gets handed off in between.
Each of us has spent years working in a country not our own. It changes how you see a place: close enough to know it, new enough to still notice it. We look at Korea that way when we film you in it.
